MoCC’s closure serves as a timely reminder, if one was needed, of how vulnerable small visual arts organizations truly are. The “programming and collection of PNCA’s Museum of Contemporary Craft will be incorporated into the Center for Contemporary Art & Culture,” according to the PNCA press release. However, you’ll have to click rather than walk your way to MoCC, because on February 3 the Pacific Northwest College of Art (PNCA) announced that the Museum - which PNCA acquired in 2009 - will permanently close its doors in April. those documents other than research articles, reviews and conference papers.‘Object Focus: The Bowl,’ installation view, 2013, at the Museum of Contemporary Craft (photo by Matthew Miller) (click to enlarge) Not every article in a journal is considered primary research and therefore "citable", this chart shows the ratio of a journal's articles including substantial research (research articles, conference papers and reviews) in three year windows vs. journal self-citations removed) received by a journal's published documents during the three previous years.Įxternal citations are calculated by subtracting the number of self-citations from the total number of citations received by the journal’s documents. The two years line is equivalent to journal impact factor ™ (Thomson Reuters) metric.Įvolution of the number of total citation per document and external citation per document (i.e. The chart shows the evolution of the average number of times documents published in a journal in the past two, three and four years have been cited in the current year. This indicator counts the number of citations received by documents from a journal and divides them by the total number of documents published in that journal. The Journal of Modern Craft is the main scholarly voice on the subject of craft, conceived both as an idea and as a field of practice in its own right. The journal also reviews and analyses the relevance of craft within new media, folk art, architecture, design, contemporary art and other fields. Special emphasis is placed on studio practice, and on the transformations of indigenous forms of craft activity throughout the world. The journal covers craft in all its historical and contemporary manifestations, from the mid-nineteenth century, when handwork was first consciously framed in opposition to industrialization, through to the present day, when ideas once confined to the “applied arts” have come to seem vital across a huge range of cultural activities. It addresses all forms of making that self-consciously set themselves apart from mass production-whether in the making of designed objects, artworks, buildings, or other artefacts. The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area.
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